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My Way, A Musical Tribute to Frank Sinatra

ARTISTIC STAFF

Director/Choreographer: Derrick Silva
Music Director: Cesar Cancino

OVERVIEW

Frank Sinatra made women scream when he walked up to the microphone. His ability to interpret a song defined an American generation. My Way, A Musical Tribute to Frank Sinatra celebrates the pivotal moments of Sinatra’s life which would solidify his legendary status. This musical song review will take you from his early beginnings in New York during the 1940’s swing era, to the bright lights of Las Vegas with the Rat Pack in the 1960s, and to his final performances in the 1990s as “Chairman of the Board.”

This musical revue co-created by David Grapes and Todd Olson, world premiered in 2000 and its format flows between music and the stories that made Sinatra an icon professionally and personally. Whether you grew up listening to his music, or are sharing it with your children or grandchildren for the first time, audiences will take a trip down memory lane with fifty-four of Sinatra’s tunes.

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Singin’ in the Rain

ARTISTIC STAFF
Director: Dyan McBride
Music Director: Cheryl Yee Glass
Vocal Director: Chad Runyon

OVERVIEW

The MGM classic has been faithfully and lovingly adapted by Broadway legends Betty Comden and Adolph Green from their original award-winning screenplay. Each unforgettable scene, song and dance, is accounted for, including the show stopping title number, complete with an onstage rainstorm. Hilarious situations, snappy dialogue, and a hit-parade score of Hollywood standards make Singin’ in the Rain the perfect entertainment for any fan of the golden age of movie musicals.

Singin’ in the Rain opened on Broadway at the George Gershwin Theatre on July 2, 1985 and closed on May 18, 1986 after 367 performances and 38 previews. Directed and choreographed by Twyla Tharp, the cast included Don Correia as Don, Mary D’Arcy as Kathy, Peter Slutsker as Cosmo, and Faye Grant as Lina. It was succeeded by a successful national tour.

Singin’ in the Rain is a family friendly show appropriate for all ages.

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Hairspray

ARTISTIC STAFF

Directed by: Ryan Weible
Choreography by: Diane Kamrin & Braden Sweeney

OVERVIEW

Hairspray’s original Broadway production opened on August 15, 2002, won eight Tony Awards in 2003 and ran for over 2,500 performances closing January 4, 2009. This musical comedy has also had national tours, a London West End production, numerous foreign productions and was adapted as a 2007 musical film. The London production was nominated for a record-setting eleven Laurence Olivier Awards, winning for Best New Musical and in three other categories.

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Singin’ in the Rain: Show Summary

Don Lockwood is a silent film star with humble roots as a musician, dancer and stunt man. Don barely tolerates his vapid leading lady, Lina Lamont, who is convinced that their screen romance is real. After the first talking picture, The Jazz Singer, proves to be a smash hit, the head of the studio, R. F. Simpson, decides he has no choice but to convert the new Lockwood and Lamont film, The Dueling Cavalier, into a talkie. The production is beset with difficulties, by far the worst being Lina’s comically grating voice.

After a disastrous test screening, Don’s best friend, Cosmo Brown, comes up with the idea to overdub Lina’s voice and they convince Simpson to turn The Dueling Cavalier into The Dancing Cavalier, a musical comedy film. Meanwhile, Don falls in love with an aspiring actress, Kathy Selden, who is providing the voice for Lina. When Lina finds out, she is furious and does everything possible to sabotage the romance. She maliciously demands that Kathy continue to provide her voice in all future films, but remain uncredited. An irate, but desperate Simpson is forced to agree; Kathy has no choice because she is under contract.

The premiere is a tremendous success. When the audience clamors for Lina to sing live, Don and Cosmo improvise and get Lina to lip-synch while Kathy sings into a second microphone while hidden behind the curtain. Unbeknownst to Lina, as she starts “singing”, Don, Cosmo and Simpson gleefully raise the curtain behind her, revealing the deception. Kathy becomes a star, and Lina is finished.

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Hairspray: Show Summary

Act I

As “pleasantly plump” teenager Tracy Turnblad lies in bed, she muses about her love for her hometown, her love of dancing, and her desire to be famous (“Good Morning Baltimore”). She goes to school and is given a warning for “inappropriate hair height”. After school, Tracy rushes home with her best friend, Penny, to catch the local teenage dance show, The Corny Collins Show (“The Nicest Kids in Town”). Edna, Tracy’s shy and plus-sized mother, is ironing and complains about the noise of the music coming from the television, while Penny’s mother, Prudy complains about it being race music. After an announcement that auditions for a place on the show will be held, Tracy begs her mother for permission to audition. Edna, fearing that Tracy will be laughed at due to her weight, refuses. Penny and Amber (the main dancer on The Corny Collins Show) have similar arguments with their mothers (“Mama, I’m a Big Girl Now”).

After gaining permission and support from her father, Wilbur, Tracy auditions for the show and bumps into teenage heartthrob, Link Larkin, which leads into a dream sequence (“I Can Hear the Bells”). Velma Von Tussle, the racist producer of The Corny Collins Show, rejects Tracy from the audition because of her size (“(The Legend of) Miss Baltimore Crabs”), as well as refusing a black girl, Little Inez.

Back at school, Tracy is sent to detention for her “monumental hair-don’t”. There she meets black dancer, Seaweed J. Stubbs (the son of the host of Negro Day, Motormouth Maybelle), who teaches her several dance moves. She uses the new dance steps at the Sophomore Hop the following day to introduce herself to Corny Collins (“The Madison”). When Corny sees how well Tracy can dance, he gives her a place on the show (“The Nicest Kids in Town” (Reprise)). During the broadcast, Link, following Corny’s suggestion, sings “It Takes Two” to Tracy, much to Amber’s dismay. After the show, Mr. Spritzer, the show’s worrisome sponsor, appeals to Velma over Tracy’s appointment to the Council. Velma, threatening to fire Corny from the show, is eventually left distraught and determines to ruin Tracy (“Velma’s Revenge”).

At the Turnblad house, Edna is receiving calls from fans who saw Tracy on the show. A call comes in from Mr. Pinky, the owner of a plus-size dress shop, for an endorsement. Tracy pleads with her mother to come with her and to act as her agent although Edna has not left their apartment in years. Finally making it outside, Edna is given a huge makeover, as she is told, (“Welcome to the 60′s”) and Tracy becomes the spokes-girl for the shop. At school, signs of Tracy’s fame are evident in the schoolyard, with graffiti on the walls and another Council Member sporting Tracy’s signature hairdo. During a game of dodge ball, a jealous Amber knocks Tracy out, and Link rushes to her side. Penny and Seaweed, who have developed a liking for each other, rush to fetch the school nurse, only to find her out sick. Seaweed, suggesting that some fun would make Tracy feel better, invites all of them to his mother’s record shop for a platter party (“Run and Tell That!”).

At the shop, Tracy rallies everyone to march against the station on the following day’s Mother-Daughter Day, as blacks are not allowed on the show except for the monthly Negro Day. Before they start, Motormouth Maybelle convinces the initially reluctant Edna and Wilbur to march as well. During the protest, led by Motormouth, Velma calls the police and fights break out. When the police arrive on the scene, almost everyone is arrested (“Big, Blonde, and Beautiful”).

Act II

After the march, most of the women are locked up in a women’s penitentiary (“The Big Dollhouse”). Because of Velma’s dirty tactics, the governor pardons and releases both her and Amber. Wilbur bails out the remaining people, excluding Tracy who is forced to remain in jail through another one of Velma’s manipulations. Tracy is alone and wishes that Link could be with her (“Good Morning Baltimore” (Reprise)). Back at the Har-De-Har Hut (Wilbur’s joke shop), Wilbur and Edna are left destitute because of the money it cost them to bail everyone out and with Tracy still in prison. Edna sympathizes with her daughter’s dream – she had dreamt of making her “own line of queen-sized dress patterns”. She and Wilbur reminisce about their past and how they can never be parted from each other (“(You’re) Timeless to Me”).

During the night, Link sneaks into the jail where he finds Tracy in solitary confinement. As Link and Tracy reunite, Penny’s mother, Prudy, punishes Penny for “going to jail without her permission” and ties her up in her bedroom where Seaweed comes to her rescue. Both couples declare their love for one another (“Without Love”). After escaping from their respective prisons, the couples seek refuge at Motormouth Maybelle’s Record Shop. Tracy thinks that it is unfair that after all of their hard work, The Corny Collins Show is still segregated. They devise a plan to help integrate the show, and Motormouth remembers their long fight for equality (“I Know Where I’ve Been”).

On the day of the Miss Teenage Hairspray competition, Corny Collins starts the show with a song (“It’s) Hairspray”). Amber shows off her talents in a bid to get more votes from the viewers (“Cooties”). Just as the results are about to be announced, Tracy (whose hair is straightened as a sign of her “non-conformity to the man”) takes over the stage, and is joined by Link, Penny (now transformed from drool to cool), Seaweed, Edna, Wilbur, Little Inez, and Motormouth. Tracy is declared the winner of the competition and Corny declares The Corny Collins Show to finally be racially integrated. When all is announced, Mr. Spritzer runs onstage thrilled with the public’s response to the telecast and announces that the governor has pardoned Tracy and he offers Link a recording contract and Velma the position of vice president of Ultra Glow – beauty products for women of color. Prudy arrives at the station and, seeing how happy Penny is with Seaweed, accepts her daughter for who she is. At the height of the moment, the company invites Amber and Velma to join the celebration. With the station in joyous celebration, Tracy and Link cement their love with a kiss (“You Can’t Stop the Beat”).

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Review: Legally Blonde – The Musical

Legally Blonde – The Musical
This is a fun, non-stop musical adaption of the popular movie
By: Susan Dowey, Publisher
Macaroni Kid, Walnut Creek

Bailey Hanks stars as Elle Woods

If you like the movie Legally Blonde with Reese Witherspoon, you will love Legally Blonde The Musical, the latest show presented by the Diablo Theatre Company. I was fortunate to be a guest of the show last weekend. In a word, I found the show to be FANTASTIC!

The star of the show is Bailey Hanks who is reprising her role as Elle Woods from the Broadway production of Legally Blonde. Ms. Hanks actually won the Broadway role as part of an MTV reality series where she won the top spot out of 500 young women hoping for their shot at the spotlight.

Legally Blonde is the story of Elle, the pretty UCLA sorority girl with a passion for fashion. Elle and her Delta Nu sorority sisters open the show with the musical number Omigod You Guys as Elle prepares for what she hopes will be a romantic proposal from her handsome boyfriend Warner Huntington III, played by Frankie Mulcahy. Elle is shocked when Warner breaks up with her as he gets ready to head off to Harvard with plans of finding a girl who fits his Ivy League visions of a perfect law school mate.

Elle decides that she will do whatever it takes to win Warner back and she hits the books and applies to Harvard Law School. Elle prevails and wins her spot in the Harvard Law School freshman class and heads off to win her boyfriend back. She is surprised to find that Warner has already found a new girlfriend who completes his vision of the perfect power couple. Elle finds a friend and mentor in her law professor’s assistant Emmett Forrest, charmingly played by Ian Leonard. Emmett supports Elle as she wins a coveted intern spot with their law Professor and helps her see that she is more than the pretty, pink glad, sorority girl and can be a legal whiz in her own right. Elle also befriends an endearing local beauty shop owner Paulette played by Lynda DiVito. Some of the more comical moments of the show involve Paulette and the UPS man (Ted Curry) that she swoons over as he struts into her salon in his brown shorts and hiking boots.

Hanks is charming and vivacious in the role and seemingly channels Reese Witherspoon from the movie in her voice and mannerisms. The entire cast does a fantastic job as they perform in non-stop musical numbers with comedic flair. The sets were used very creatively to evoke the feel of the different settings in the show from the sunny campus of UCLA to the Northeast feel of Harvard.

Parents should know that there are a few sexual references in the show that are fairly equivalent to a PG-13 movie and each parent will need to decide for themselves what age child they will bring to see the show. The show would be very fun for a mother/teen daughter, ladies or date night out.

Tickets are on sale now and can be purchased at the box office, online or by phone. Ticket prices range from $34 – $44 with discounts for students, seniors and groups. The show is playing weekends through March 3rd.

Box office: The Lesher Center for the Arts, 1601 Civic Dr. in Walnut Creek

Tickets by phone: (925) 943-SHOW (7469)

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Legally Blonde: TV Commercial

Bailey Hanks as Elle Woods

Click here to view our :30 second Legally Blonde commercial currently airing on Comcast.

Click here to view our trailer from the show.

Videos filmed & edited by Erik Scanlon

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Legally Blonde: Talkbacks with Cast

Bailey Hanks (Elle) and the Delta Nu Girls


A special Q & A session with the cast and crew of Legally Blonde: The Musical will take place immediately following the 8pm performances on Saturday, Feb. 18th, Thursday, Feb. 23rd & Thursday, March 1st. Patrons are asked to stay in their seats after the curtain call and a moderator will come out with instructions. The talkback will last for approximately 30 minutes.

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Review: “‘Legally Blonde’ graduates with honors at Diablo Theatre”

Contra Costa Times
By: Pat Craig
Posted: 2/14/2012

Here’s all the cut-to-the-chase information you need about “Legally Blonde,” now playing at Walnut Creek’s Lesher Center.

Get your tickets. NOW.

Seriously, this isn’t some cutesy gimmick — the show was wall-to-wall sold out for this past weekend’s opener. In addition, the show had been selling well before opening night — that is, before Hurricane Bailey stormed across the stage leading a hugely energetic and talented cast in a wild and wonderful attack on Harvard Law School, proving the power of tenacity and blonde ambition.

The hurricane in this case is Bailey Hanks, the last performer to play Elle Woods in the recently ended Broadway production of “Legally Blonde” (she won a nationwide MTV talent search to snag the role). She is a tower of talent who so loves the role of Elle that she wanted to continue playing it. Lucky for us, because they don’t get much better than Bailey.

And, also lucky for us, director Gia Solari has surrounded her lead with some enormously gifted performers who offer stunning performances and raise the already high bar of Lesher Center musicals, which just seem to get better and better.

“Legally Blonde” probably will never join the pantheon of great American musical comedies, but it is well-crafted, tuneful and clever. The piece is aimed primarily at the junior high and high school age girls who first fell in love with the “Blonde” franchise with the nonmusical movies. The tales are filled with pink clothing, lots of shopping, dreamy boys here and there, college sorority fun and a girl-power theme. They were sort of post-Barbie stories that introduced a feminist heroine with a great fashion sense.

From the get-go, Elle had her heart and mind set on getting into Harvard Law School. At first, it was to chase her boyfriend and assumed fiancé, Warner, and win him back. When Elle hits the Ivy League, she discovers a few things — that there are lots of boys, even right there at law school, who like girls who aren’t empty-headed; and that there is plenty of important work a girl can do if she is able to get a good education.

So the message is right there. In the musical, the script is filled with lines and humor that is directed more at adults, so parents can feel like they made the right entertainment decision.

The show is packaged very well with excellent choreography by Solari and Renee DeWeese. It also benefits from well-performed music directed by Sean Kana and excellent costume design by Tammy Berlin.

The acting is excellent from top to bottom, but there are some outstanding performances by Hanks; Tom Reardon (who plays a treasured professor who is not all he seems); Lynda DiVito as Paulette, the owner of a local beauty salon; Ted Curry as the UPS driver who drives Paulette wild; and Ian Leonard as Emmett, a dashing student adviser.

Contact Pat Craig at pjcraig495@yahoo.com.

‘LEGALLY BLONDE — The Musical’

By Laurence O’Keefe, Nell Benjamin and Heather Hatch; presented by Diablo Theatre Company

Through: March 3
Where: Dean Lesher Center for the Arts, Civic Drive at Locust, Walnut Creek
Running time: 2 hours, 10 minutes
Tickets: $34-$48; 925-798-7469, www.diablotheatre.org

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Story: “Walnut Creek ‘Legally Blonde’ gets Broadway veteran as its star”

Contra Costa Times
By Pat Craig
Posted 2/8/2012

Bailey Hanks

Five years and six days ago, “Legally Blonde” opened its pre-Broadway preview in San Francisco’s Golden Gate Theatre. About that same time, Bailey Hanks was a kid living in South Carolina, eating, sleeping and breathing theater, and vowing that one day she would be Elle Woods on stage. For most kids, the youthful fantasy ends there — Bailey had been a “Blonde” fan since junior high. She had a replica of the Tiffany bracelet Elle Woods wore, and played the role every night in her room.

That’s when the story took a sharp turn and the fantasy didn’t end. And that’s why, five years later, Hanks is in Walnut Creek, reprising her dream role for Diablo Theatre Company.

Call goes out

While the kids in kitten heels were tick-tick-ticking up and down Broadway in New York, dragging their moms and dads to the Palace Theatre where “Blonde” was playing, Bailey was a college student. Then she learned MTV was planning to turn the audition for “Blonde’s” next Elle into a bit of reality television, “Legally Blonde — The Musical: The Search for Elle Woods.”

“I had to do this, I absolutely had to do this, I thought,” said Bailey, who turned 24 this week. “My dad took me to Nashville, which was the closest place for a regional audition.”

It was not all that different from all the other auditions she’d attended since she was 7, winning roles in such musicals as “The Wizard of Oz,” “The Music Man” and “Gypsy.” They had her sing a couple of songs, then invited her to a callback the next day, where she’d dance a little and perform material for the show. Then it was, “Thank you very much,” and back home to wait.

“After a week or two, they called me and said they wanted me to fly to New York for a callback,” she says. “They didn’t tell me what I’d do.”

In New York, she discovered she was one among 500 Elle Woods wannabes. She was expected to go through several rounds of auditions, facing off against some girls who had already auditioned for the Broadway production.

Reality ‘stress’

By the end of the first MTV episode, the 500 had been winnowed to 15 in several not-so-easy increments and, finally, after several more episodes, it was just Bailey and one other girl, who ended up cast in a supporting role in the show.

“The stress of a reality show is really tough, because you feel like you’re always with an audience and you have no time to be by yourself and focus. You were just shoved into a room with a bunch of girls and a camera in your face,” Bailey says. “The fact you had to adjust was sometimes really obnoxious.”

Auditions themselves, at least in the early going, were a piece of cake, she said. She’d been playing the role herself since junior high, so she had both the dialogue and the songs down cold, while some of the others weren’t that familiar with the material.

In the last audition, the two finalists had to do two full-scale scenes — costumes, makeup and blocking — for the cameras. They had to be 100 percent Elle Woods, the Southern California sorority girl who decides to win back her boyfriend by following him to Harvard Law School.

Of course (this being a musical comedy, and all), Elle pulls it off, winning a big case, bagging an even better boy, learning something about herself and becoming a better person.

If only auditions worked like that — but this time, for Bailey, they did and for a good part of a year, she played Elle on Broadway.

Born to be blonde

She’s played several other roles since then, but Elle has always been her favorite. This is a girl, after all, who reportedly has a pink Volkswagen Bug that she dubbed her “Legally Blonde Mobile.”

So she was pleased when Diablo Theatre Company artistic director Daren Carollo called and invited her to star in the Walnut Creek production.

“California? I’ve never been there before. Count me in,” she says. “I knew this was one of the first companies in California to do this, and that it had the pre-Broadway tryout in San Francisco. Yes, count me in.”

Carollo and “Blonde” director Gia Solari had seen a tape of Bailey’s performance, and “there was no doubt” about offering her the role. And they haven’t been disappointed.

“We thought there’d be some ego, but there isn’t,” says Carollo. “She’s smart, kind, incredibly funny, incredibly warm, and totally professional and goes above and beyond. She truly is one of the best we’ve had in the building.” Carollo says Bailey attends every moment of rehearsals, even when she’s scheduled to be off, and he was surprised to catch her at a recent performance of Stars 2000 (the Diablo Theatre Company youth group).

“I asked her what she was doing there, and she said she just wanted to support the group,” he says. “She even came up on stage and helped pull raffle tickets.”

Bailey says her biggest challenge is having to unlearn the choreography from the Broadway show, often quite different from DTC’s production.

But she’s been handling big-time pressure since she was 13 and was invited to sing the national anthem at an event then-President Bill Clinton was attending. The kid sang so well, Clinton asked to meet her, even though she was told before the event he wouldn’t. But she had her photo taken with the president and got to stand behind the podium with the presidential seal on it.

And, once the show opens, she’ll be able to spend more time exploring at least pieces of California.

Contact Pat Craig at pjcraig495@yahoo.com.

  • Hanks was acting in local theater growing up in South Carolina, appearing in productions of “The Wizard of Oz” (as Dorothy), “Seussical the Musical,” “Gypsy,” “Hello, Dolly!,” “Music Man,” “A Year With Frog and Toad,” “Annie,” “Bye Bye Birdie,” and “A Funny Thing Happened on the Way to the Forum,” among others.
  • Hanks sang the national anthem for President Bill Clinton in 2000. The president was impressed enough to ask to meet her afterward.
  • Hanks auditioned unsuccessfully for “American Idol” in 2007.
  • “Legally Blonde” was nominated for seven Tony Awards in 2007 but did not win in any category.
  • Hanks played the lead on Broadway’s “Blonde” July 23-Oct. 19, 2008.
  • Less than a month after finishing “Blonde,” Hanks began a stint as Sharpay Evans in a production of “High School Musical” at New Jersey’s Paper Mill Playhouse, Nov. 5-Dec. 7, 2008.
  • Hanks starred as a candidate for high school class president in “Vote!,” a musical comedy that was part of the New York City Fringe Festival in 2009.
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